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2009
Lecture Series

Winter-Spring   ▪   Summer-Fall

The Albany Institute of History & Art 2009 Lecture Series is supported by a grant from the New York Council for the Humanities. Additional support is provided by 74 State.

All lectures, book signings, and performances are free and open to the public. Museum admission is not included. Times and dates may be subject to change. Call (518) 463-4478 for more information.

 

Lecture
Richard Rand

Dove/O'Keeffe: Circles of Influence

July 16, 2009
6:00 pm
Richard Rand, the Senior Curator of the Sterling and Francine Clark Art Institute, explores Georgia O'Keeffe's life and friendship with modernist painter Arthur Dove, and his role in the development of her early abstractionist paintings. The evocative paintings of flowers and southwestern landscapes by Georgia O'Keeffe (1887–1986) have long defined her role as a distinctly American icon and one of the most significant artists of the 20th century. Yet a vital factor in her early development is frequently overlooked: from the outset of her career in the 1910s, O'Keeffe credited the work of Arthur Dove (1880–1946) as her primary introduction to modern art. Dove, acknowledged as America's first abstract painter, used colorful, dynamic forms to reflect his sensitive communion with the physical world.

The exhibition Dove/O'Keeffe: Circles of Influence is on view at
The Clark through September 7, 2009.

Left: Georgia O'Keeffe, Jack-in-Pulpit - No. 2, 1930. Oil on canvas, 40 x 30 in. (101.6 x 76.2 cm). National Gallery of Art, Washington, D.C. Alfred Stieglitz Collection, Bequest of Georgia O'Keeffe [Image courtesy of the Board of Trustees, National Gallery of Art, Washington, D.C.]

LECTURE AND BOOK SIGNING

Richard H. Gassan

Assistant Professor of History, American University of Sharjah

The Birth of American Tourism: New York, the Hudson Valley, and American Culture, 1790–1830
July 30, 6:00 pm

Today, the idea of traveling within the United States for leisure purposes is so commonplace it is hard to imagine a time when tourism was not a staple of our
cultural life. Yet, as Richard H. Gassan persuasively demonstrates, at the beginning
of the 19th century, travel for leisure was strictly an aristocratic luxury beyond
the means of ordinary Americans. It wasn't until the second decade of the century
that the first middle-class tourists began to follow the lead of the well-to-do,
making trips up the Hudson River Valley north of New York City, and in a
few cases beyond. At first just a trickle, by 1830 the tide of tourism had become a
flood, a cultural change that signaled a profound societal shift as the United States stepped onto the road that would eventually lead to a modern consumer society.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 
   

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