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HORSING AROUND: 19th Century Cast Iron Hitching Posts
January 26 - May 25, 2008

The nineteenth century was the great age of horse-drawn transportation. Across the country in large cities and small communities, Americans were on the move in wagons, coaches, shays, sleighs, and alone on horseback. When not in motion, hitching posts and rails secured horses and helped maintain order. Their decorative shapes were commonly seen in front of houses and public buildings, standing firm despite the adverse effects of weather.

While hitching posts were made from various materials - wood, stone, metal - cast iron models displayed some of the most charming and creative designs. Cast iron was an easily manipulated material, similar to plastics in the twentieth century, and was sturdy and affordable. The ease with which molten iron could be cast into almost any form allowed iron foundries to offer hitching posts in a wide range of patterns that appealed to public tastes in the last half of nineteenth century. Horse heads, for example, alluded to the function and purpose of the posts, while eagles and flag-draped posts reflected the patriotic fervor that gripped Americans around the time of the Centennial in 1876.

Horsing Around: 19th Century Cast Iron Hitching Posts will be the first exhibition to survey and explore the cast iron hitching post in America, its history and use, production, and the wealth of designs cast by various foundries across the nation. The exhibition will include close to 70 hitching posts along with a small selection of patterns, trade catalogues, photographs, and other supporting material, as well as numerous paintings, drawing, prints, and photographs of horses from the Institute's collection. Most of the hitching posts come from one private collection, although a few select examples from other private and public collections will be used to highlight pattern carvers and artistic sources for hitching post designs.

An illustrated catalogue of 80 pages will accompany the exhibition and will include essays about hitching post designs, their marketing and consumption, and their place in the history of American transportation and travel. The publication  features full-color photographs and catalogue entries for selected hitching posts.

 

Above:
Judge Van Aernum in His Sleigh (John Van Aernum [1807 - 1856), Thomas Kirby Van Zandt (1814 - 1886)
1855, oil on canvas, ht. 24 in., w. 34 in., framed, ht. 27 3/4 in,. w. 37 1/2 in., signed "Van Zandt Albany/Feb 1855". Albany Institute of History & Art Purchase, 1946.26



RELATED EVENTS


Saturday, January 26; 10:00am-Noon

MEMBERS ONLY PREVIEW


Friday, February 1; 5:30-7:30pm

OPENING RECEPTION

Sunday, February 24; 2:00pm

GALLERY TALK with collectors Phil and Bunny Savino
 





Horse Head and Horse Tail Hitching Posts from the collection of Phil and Bunny Savino

Funding for this exhibition and catalogue has been provided by Ralph and Rosalie Macchio and Family, Johnson Illington Advisors, Inc., Elanor Holbritter Nasner and Margaret F. Holbritter, Mark LaSalle, the Murdock Family, and Tony and Cassandra Savino.

MEDIA INQUIRIES
Steve Ricci
Public Relations and Marketing Manager
Tel: 518.463.4478, ext. 467
Fax: 518.462.1522
Email: riccis@albanyinstitute.org

 

   
 
 

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