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The Baltic grain trade involved the transport
of grain from Danzig and other Baltic ports to Amsterdam, where it was traded on
the city’s grain exchange and then re-exported to the rest of Europe. First
established during the fourteenth century, the Baltic grain trade—referred to by
one Amsterdam merchant as “the soul of trade”—was largely responsible for the
prosperity of the Netherlands during the Golden Age.
A banquet piece—a banketje—is a still life
painting that features a lavish arrangement of expensive foodstuffs and serving
pieces. A typical banquet piece might include such luxury items as lobsters,
oysters, exotic fruits, and decorated pies in raised crusts. Banketje
translates literally from the Dutch as “little banquet.”
Beverwijck was
established in New Netherland in 1630. It was later incorporated into Fort
Orange, and this entire settlement was renamed Albany in 1664, when the English
took the colony.
A breakfast piece—an ontbijtje—is a
still life painting that depicts simple foodstuffs, such as herring, ham or
cheese with a bread roll and a glass of beer or wine. Though ontbijtje
translates literally from the Dutch as “little breakfast,” paintings categorized
as such do not necessarily depict elements of a typical Dutch breakfast.
Breakfast pieces were especially popular in the Netherlands during the 1620s and
1630s, and Pieter Claesz., Willem Claesz. Heda, and Osias Beert, among others,
are remembered for their production.
Burgerlijk
is the Dutch word for “burghers.” Though it is notoriously difficult to assign
firm class divisions to Golden Age Dutch society, the burgerlijk was a roughly
middle class grouping to which Netherlanders of a wide range of professions—from
modest artisans to well-to-do regents—belonged.
De Verstandige Kok (The Sensible Cook) was
first published in 1667, and would become the most widely read cookbook of the
seventeenth century. Geared towards middle- and upper middle-class families,
the book advised a regular and balanced diet, including fresh meat at least once
a week, frequent servings of bread and cheese, stew, fresh vegetables and
salads.
The Dutch East India Company was a trade
company chartered in 1602 by the States-General of the Dutch republic. Granted
a monopoly on Dutch trade east of the Cape of Good Hope and west of the Strait
of Magellan, the company exercised great power in these regions, subduing local
rulers, dominating trade in the Spice Islands, and driving the British and the
Portuguese from Indonesia, Malaya and Sri Lanka. Upon its dissolution in 1798,
the company’s possessions became part of the Dutch empire in East Asia.
The Dutch West India Company was chartered by
the States-General of the Dutch republic in 1621 and remained active until
1792. The company had jurisdiction over a wide range of coastal Africa and the
Western Hemisphere, and it is responsible for founding the settlements that
would become present-day Albany and New York City.
An emblem is an image featured in combination
with a proverb, motto or set of verses; Emblems often carry moral lessons,
offering guidance on aspects of human behavior, including love, child rearing,
commercial activity, social responsibility and Christian ideals. Jacob Cats is
among the most celebrated Dutch emblem writers.
Fort Orange was
established in 1624 near the site of present-day Albany. It was among the first
permanent settlements in New Netherland.
A fruit piece—a
fruytje—is a still life painting in which fruit is prominently featured.
Samples of fruit might be elegantly arranged on a silver platter or more
casually placed in a simple basket. Fruytje translates literally from Dutch as
“little fruit.”
A game piece
depicts an arrangement of poultry, duck, capon, suckling pig, hare, rabbit or—as
its title suggests—any other type of game. Because game hunting was reserved
for nobility, some historians believe that people of lesser rank purchased these
pieces in an effort to associate themselves with the more privileged class.
A genre painting shows scenes from everyday
life and surroundings. This type of painting was particularly popular in
seventeenth century Netherlands, but the term “genre” was not applied at the
time; instead, paintings were delineated into more specific categories, such as
‘merry company’ scenes (conversatie), ‘little fire’ scenes (brandje) or
‘bordello scenes’ (bordeeltje). Adrian van Ostade, Pieter de Hooch, and Jan
Steen, among others, devoted much of their careers to genre painting. Note that
the term “genre” also refers to the various categories of subject matter on
which a painting might be based, such as history, portraiture, landscape, still
life, etc.
A guard room scene—a coortegardje—is a type
of genre painting that depicts soldiers drinking, resting and gambling.
Coortegardje enjoyed their greatest popularity during the 1620s and 1630s,
perhaps as a result of Dutch preoccupation with the ongoing war with Spain.
A guild is
an economic and social organization for those practicing the same business or
craft. Formed for mutual aid and protection, a guild commonly maintained
standards, set prices and protected the economic interests of its members.
Haarlem is a city in western Netherlands
located near the North Sea. Considered a provincial town during the sixteenth
and seventeenth centuries, Haarlem was largely associated with the brewing and
weaving industries, although it also possessed wealthy regent class that was
able to take advantage of Artists such as Adriaen van Ostade and Frans Hals
lived and worked there.
Hammetje translates literally from the Dutch
as “little ham.” The term is applied to any still life painting in which a ham
of any size is prominently featured.
Herenbrood
is wheat or “white” bread. Bread was a mainstay of the Dutch diet during the
seventeenth century, and regular consumption of herenbrood was a sign of
affluence. Less prosperous members of Dutch society depended on
semelbrood—rye
kernel “black” bread—for sustenance.
Hutsepot—Dutch stew—consists
primarily of mutton or beef and assorted vegetables, and can be varied in order
to accommodate the seasonal availability of ingredients. Scholar Simon Schama
writes that hutsepot represents “the several treasures” of the Dutch trade
economy, including dairy products, meat and fresh vegetables from the
Netherlands, ginger and other spices from the Indies, citrus fruits from the
Levant (present-day Lebanon, Syria and Israel) and wine vinegar from the
Mediterranean. Hutsepot was also eaten by Dutch settlers in New Netherland.
Jokmaalen
is a feast of inversion during which masters and mistresses waited on their
servants. Jokmaalen is only one example of the many feasts a
seventeenth-century Netherlander might have celebrated throughout the year;
births, marriages, a child’s beginning of school or apprenticeship, the
restoration of a church—or even a family’s relocation to a new neighborhood—were
all considered worthy occasions for a large and festive meal.
Kandeel.
Typically drunk in celebration of a newborn child—perhaps at a
kindermaal
celebration—kandeel consists of spiced wine mixed with egg yolks.
A
kermis
is a street fair or carnival. Artists often sold their works at kermis.
Kindermaal
is a celebratory feast held in honor of a mother and her newborn child that
typically occurred within ten days of the child’s birth. The predominately
female party guests presented gifts to the infant and enjoyed sweetened brandies
and rum and sweet cakes. Feasting was associated with a variety of events in
Dutch life.
Koolsla
is cabbage salad dressed with melted butter and vinegar, or oil and vinegar.
The English word for this dish—“coleslaw”—comes from the original Dutch.
A
krullen
is a curl-shaped deep-fried pastry similar to the present-day cruller. Krullen
translates literally from the Dutch as “curls.”
Overvloed is a Dutch word meaning
“abundance.” Recent interpretations of seventeenth-century Dutch culture
suggest that Netherlanders struggled to reconcile the overvloed of the Golden
Age with the modesty and thrift advocated by Calvinism.
An olie-koecke—an “oil cake”—is a deep-fried
ball of dough studded with raisins, apples, or almonds. A favorite treat among
the seventeenth-century Dutch, it is now referred to as olie-bollen—“oil
balls”—and still popularly enjoyed in the Netherlands today. Olie-koecken were
forerunners of the present-day doughnut.
A patroonship was a large agricultural unit
in New Netherland similar to the English manor. Established by the Dutch West
India Company in 1629, the Charter of Freedoms and Exemptions provided for these
large tracts of land to be deeded to private companies or individuals on the
condition that they would settle at least fifty people on the land.
A pastey is a savory meat pie. A
seventeenth-century Netherlander would most likely have eaten it during the
midday meal.
Pronk means “ornately
luxurious to the extent of being showy or ostentatious.” A man of fashion in
Dutch culture was referred to as a pronker, while still lifes depicting rich
finery were referred to as pronkstilleven.
Sappaen (Sapaen) is cornmeal mush made from
pounded cornmeal and water. Dutch colonists in New Netherland adapted this
Native American dish by adding buttermilk to the recipe. Dutch settlers also
altered their own culinary traditions as a result of contact with Native
Americans, adding New World pumpkin to Old World pancakes. Native Americans, in
turn, showed a fondness for Old World Dutch white bread, cookies, pretzels, and
other baked goods.
A stadhouder is a military leader or head of
state. Stadhouder translates literally from the Dutch as “holder of the city.”
Semelbrood is “black” bread made from
whole-kernel rye. The less affluent depended on semelbrood for sustenance,
while the more prosperous enjoyed luxury herenbrood.
The term still life—stilleven—comes from a
Dutch word meaning “still model.” Paintings of this type usually depict
inanimate objects such as food or cookware, although small animals or insects
are sometimes included. Breakfast pieces, banquet pieces, game pieces, tobacco
pieces and flower pieces are examples of specific categories of still life
painting.
The Synod of Dordrecht was an institution
based in Dordrecht in the Netherlands. It had authority to make laws governing
the Reformed Dutch Church during the seventeenth century, and it adopted
Calvinism as the official religion of the Netherlands during meetings held in
1618 and 1622.
A tobacco
piece—a tabakje—is a still life that features
smokers’ accessories—typically tobacco pipes, smoldering hemp wicks, or
braziers of burning coals—along with jugs of beer or glasses of wine.
Translated literally from the Dutch, tabakje means “little tobacco.”
The term vanitas—meaning
“vanity” in Latin—refers to a type of still-life painting that symbolizes the
transience of earthly life and pleasures. The objects depicted in vanitas still
lifes typically belong to one of three categories: the accoutrements of mortal
life, such as books, tools, purses or deeds; objects that reflect the
impermanence of this life, such as skulls or hourglasses; and objects that
suggest the promise of salvation and eternal life, such as ears of corn or
branches of laurel or ivory.
Wafel is the Dutch word for the confection known as
“waffle” in the United States today.
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