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The Road to 2001: A Museum Odyssey
The Institute will be able to fully operate for
12 months each year, attract more tourists and regional audiences!
Environmental controls, although invisible, may in fact provide the most
significant and long-term benefit. Aside from preserving our nationally
significant collections, environmental controls will provide air-conditioning.
For the first time, the AIHA will be able to take advantage of a whole new
summer season of exhibition and education programs and participate in a larger
summer arts scene which draws tourists and visitors from around the world.
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Traveling exhibitions will attract crowds
– lack of environment controls has prevented AIHA from featuring some
nationally touring exhibits, which attract thousands of people. Immediate
exhibition plans include featuring two traveling exhibitions from the
Smithsonian’s National Museum of American Art, and an international
exhibition with Dutch art celebrating the 350th Anniversary of
Beverwyck.
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Increased public access to nationally
significant collections and more effective preservation
– due to a new conveniently located collections storage wing, a vastly
improved library, 14 exhibition galleries, and improved technology.
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The museum’s exterior ambience will be more
attractive and user friendly as well as provide a sense of stability to our
neighborhood and downtown Albany.
Visitors will be drawn into the museum by passing through a sculpture garden,
and an outdoor café. They will enter a new three-story lobby entrance with
tiered balconies, filled with light. At night the lobby will create a bright
beacon on Washington Avenue.
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A new café, shop and auditorium, all
connected to the lobby link, will provide space for simultaneous activities
and generate a sense of cosmopolitan excitement.
Picture the possibilities: café and shop in full swing; art classes in the
studio; a film series in the auditorium; a social function in the sculpture
garden; and a bus tour visiting the latest exhibition in the galleries. Our
new complex will allow us to meet the demand for space rental from other
organizations, and to host major events and receptions.
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Enhanced Education Programs
– More space for education programming includes a new Auditorium, Museum
Education Center and studio/classroom space. AIHA serves around 100,000 people
and provides a range of educational experiences for about 20,000 children and
adults annually. AIHA is a primary provider for arts and humanities for Albany
Schools.
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A bigger endowment
will help the new museum maintain facilities, staff and programs, to provide
future generations with adequate funds to care for the museum, and to insure
stability in a range of economic environments. All of the improvements will
add up to a more exciting cultural attraction that will deliver services more
effectively to the public.
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Supporting the City of Albany’s
revitalization and enhancing the region’s economy and quality of life
– all of the above will attract new audiences and new dollars into downtown
Albany and our region.
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Construction
and Renovation Overview
Renovation work on the interior of the Rice
Building space that will become an enlarged Museum Shop and gallery space, as
well as public programming space.
Photo by Dennis Stevens
The Albany Institute’s renovation and expansion
plan consists of five major construction elements, as follows:
Demolition of the existing structure at the rear
of the original museum building (current Auditorium) and construction of a new
" museum annex’ structure containing:
- A new receiving area, including: loading dock,
receiving and holding areas, and a new elevator sized to accommodate the
largest objects in the collection.
- Mechanical equipment rooms to house new HVAC,
plumbing, electrical and fire protection systems to serve all collections
areas of the museum.
- New environmentally controlled collections
storage areas to accommodate the entire museum collection with new moveable
storage systems designed specifically for each type of object tin the
collection.
Renovation of the existing "museum
building" to house galleries, the library/archives, and exhibition and
curatorial offices and work areas:
- Preservation of the historic exterior building
shell components.
- Installation of vapor barriers and insulations
as required to accommodate the new collections conservation environment
- Installation of new HVAC ductwork and controls
served by the new equipment in the museum annex to maintain a collections
conservation environment.
- Installation of new lighting, fire protection,
and security systems.
- General rehabilitations of all gallery areas
- Complete adaptive reuse of basement areas to
house the library, exhibition preparation areas, and curatorial offices and
workrooms.
Construction of a new entrance and lobby area
linking together the two exiting but separate components of the Institute, the
historic Rice House/Rice Annex, and the historic museum building/museum annex.
The new lobby will provide:
- A new, highly visible, exciting and inviting
entrance to the Institute.
- Easy accessibility for the disabled from both
the Washington Avenue and parking lot sides of the building.
- A gathering and event space outsides the
collections area.
- Access to five of the six levels of the museum
from a single central elevator.
- A wonderful new multi-level "Main
Street" connecting all public aspects of the museum (galleries,
library, auditorium, museum store, rental gallery, education department,
conference center, administrative offices, toilet rooms and coat room.)
Adaptive reuse of the Rice Annex to house the
education department, rental gallery, museum store, auditorium, toilet rooms,
and coat room.
- Preservation of the historic exterior building
shell components.
- Installation of new HVAC systems and controls
served by new equipment on the roof.
- Installation of new lighting, fire protection
and security systems.
- Completion rehabilitation of the structure to
house the uses listed above.
Adaptive reuse of the Rice House to house the
education department offices, a conference center, and administrative offices.
- Preservation of the historic exterior building
shell components.
- Restoration of the missing terra-cotta
balustrade at roof level.
- Restoration of portions of the missing
balustrade at terrace level.
- Partial renovation of spaces to suit their new
uses.
- Partial renovation of electrical and HVAC
systems.
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Architects Solomon +
Bauer specialize in the design of collection storage areas
Selected because of their extensive museum
experience, Solomon + Bauer began schematic design work on the Albany Institute’s
project in November 1994. Solomon + Bauer has worked on projects for museums
including the Museum of Fine Arts, Boston; the Okalahoma Museum of Natural
History; the New Bedford (Massachusetts) Whaling Museum; the Bennington
(Vermont) Museum; the Fogg Art Museum and the Peabody Museum of Archaeology and
Ethnography, both at Harvard University; and the Charleston (South Carolina)
Museum.
Founded in 1970, Solomon + Bauer is a
full-service architectural firm, providing programming, planning and interior
design services. The firm has earned a reputation for design excellence in many
types of educational, religious, cultural and residential projects, both new and
renovate in character. Solomon + Bauer has received over twenty-nine local,
regional and national awards for design excellence, and its work has been
published nationally.
A Growing Specialization in Museum Projects
Solomon + Bauer’s increasing specialization in
projects for museums and historic sites began in 1976 with a commission to
design a new museum building for the Charles Museum in Charleston, SC, awarded
as the first prize in a national design commission. Studies and design projects
for over fifteen cultural institutions have followed. S+B has become
increasingly involved with projects requiring expertise in preservation,
restoration and adaptive reused of historic structures, in conjunction with
retrofitting of environmental control systems. The Albany Institute’s project
is an example of this type.
The specialized requirements of several
Solomon+Bauer projects have resulted in the development of a sub-specialty in
the design of collections storage areas and equipment, and in conservation
laboratory design. Many projects in these areas have resulted from building
environment and collections storage assessments funded by the grants from the
National Endowment for the Arts (NEA), National Endowment for the Humanities(NEH)
and Institute of Museum & Library Services (IMLS). Many Solomon + Bauer
projects have given the firm valuable experience working with variety of
in-house exhibit designers and several exhibit design firms. Selected because of
their extensive museum experience, Solomon+Bauer began schematic design work on
the Albany Institute’s project in November 1994. Solomon+Bauer has worked on
projects for museums including the Museum of Fine Arts, Boston; the Okalahoma
Museum of Natural History; the New Bedford (Massachusetts) Whaling Museum; the
Bennington (Vermont) Museum; the Fogg Art Museum and the Peabody Museum of
Archaeology and Ethnography, both at Harvard University; and The Charleston
(South Carolina) Museum.
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