|
Cris Cristofaro
New York, NY
" I
choose materials that are commonplace and familiar and therefore suggest
their own preconceived content and context. By using these materials
in non-traditional ways, I force the viewer to transcend his accepted
knowledge of what he is viewing and thereby question his notions of what
art can be. The work is honest, straightforward and readily reveals
how the materials are fused together and how they interact."
Nancy Engel
Albany, NY
"These photographs were constructed over an
extended period of time, one year to be exact. They emerged from the
many still-lifes that I created and photographed. From those
photographs, discrete pieces were chosen, cut, arranged and placed to form
a new photograph...only to be shifted, modified, overlaid or replaced by
newer fragments.
Walls were built, eliminated, rebuilt and
finally broken through. Some objects found their mooring while
others faded or disappeared. What I was trying to record was the
process of my day to day bracketing, weaving and storing of the flow of
phenomena before me..."
Marjorie White Williams
Altamont, NY
"I don't know why the only medium I've
wanted to work with long enough to feel a sense of mastery, to demand and
to stretch its potential, to be able to think in its language, to express
and to see my thoughts and feelings...is common unrefined ubiquitous
plywood.
The process of layering is important to me
as a woman. It connects me with other women and all industrious life
since the beginning of time. In the gradual procedure of stacking
and adding units of material, these is solace of being in tune with the
infinite."
|