Study for The Voyage of Life: Youth
Thomas Cole (1801-1848)
Oil on wood panel
12 1/16 H x 13 3/4 W
Remnants of paper label, reverse right side, inscribed: paintings by [?]/450 Fif[?]/W[?]rom[?]
Descendants of the artist to Mrs. Fletcher Williams, Newark, NJ (by 1902), at MacBeth Gallery, New York (1902-1919), sold at American Art Association, New York (April 16, 1919), with Brooklyn Contemporary Art Gallery in 1942, purchased by AIHA from Henry L. Maloney, former director of the Brooklyn Contemporary Art Gallery, September 22, 1942
Albany Institute of History & Art Purchase
After completing his first series of monumental paintings, The Course of Empire, Thomas Cole settled on an equally challenging sequel. The painting series The Voyage of Life—for which this is a small oil study—uses a stream and a voyager as metaphors for the course of human life. When still conceptualizing the work, Cole wrote that the "youth" segment would show "The child become a youth is seen in the boat—the river has increased & the scene become extensive and grand—the guardian just stepping out of the boar & pointing forward—leaving the youth to his own reason for guide." The finished series of paintings is in the Munson-Williams-Proctor Institute in Utica, NY, and a replica set by Cole is in the National Gallery of Art in Washington, DC. This work is part of the Albany Institute's premier collection of more than 500 works by Thomas Cole, founder of the Hudson River school of painting.